On the creative practice and making

Writings and radio conversations that investigate the creative practice and making processes.  Worth further investigation.

The Power of Two by Joshua Wolf Shenk
In Praise of Copying by Marcus Boon
What is Original, TED Radio Hour on NPR
Mapping the Intelligence of Artistic Work by Anne West
Creative Block by Danielle Krysa (the Jealous Curator)
Imagine, How Creativity Works by Jonah Lehrer
Where Good Ideas Come From by Steven Johnson
Steel Like an Artist by Austin Kleon
Show Your Work by Austin Kleon
Art and Fear: Observations on the Pearls (and Rewards) of Artmaking by David Bayles
Education for a Socially Engaged Art by Pablo Helguera

Essay Collections:

EDUCATION: Documents of Contemporary Art published by MIT Press
ART SCHOOL (Propositions for the 21st Century) edited by Steven Henry Maddoff
THE STUDIO: Documents of Contemporary Art published by MIT Press
PARTICIPATION: Documents of Contemporary Art published by MIT Press

For continued research...

list started on May 1, 2014
last updated on July 8, 2014


 


MORE: RESEARCH (from THE LAB)
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Horizon: Intimate distance

Between my body and the horizon stretches an indeterminate distance and infinite time. Simultaneously, I embody it.  My feet rest on earth.  My head, the sky.  I am within the horizon, yet it is unreachable.

The horizon (or skyline) is the apparent line that separates earth from sky, the line that divides all visible directions into two categories: those that intersect the Earth’s surface, and those that do not. At many locations, the true horizon is obscured by trees, buildings, mountains, etc., and the resulting intersection of earth and sky is called the visible horizon. When looking at a sea from a shore, the part of the sea closest to the horizon is called the offing.[1] The word horizon derives from the Greek “ὁρίζων κύκλος” horizōn kyklos, “separating circle”,[2] from the verb ὁρίζω horizō, “to divide”, “to separate”,[3] and that from “ὅρος” (oros), “boundary, landmark”.[4]
— Wikipedia

Three types of horizon (from Wikipedia).

Poet Ann Lauterbach continues in her article "The Thing Seen":

Indeed, as the Internet continues to flatten time and space into a scan that erases the “horizon” (the classical metaphor of both spatial depth and temporal aspiration), young artists are faced with a deracinated landscape. How to steady this mobile map, in which one’s own presence-one’s personhood-is without discernible evidence or local? ....[Artists] need to find ways to claim a physical, embodied presence within the increasingly dematerialized modality of connection.
— Ann Lauterbach. Art School: Propositions for the 21st Century

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Organizations + Collectives: Models for new thinking

What are organizations and collectives that are (possibly) experimenting with new modes of learning and thinking?

BMW Guggenheim Lab
Site Sante Fe
Yerba Buena Center for the Arts
Radio Lab
The Pedagogical Impulse
Room 13 International
The Art Assignment
No Longer Empty
The Laundromat Project
The Project Room (Seattle)
 

For continued research...

list started on March 5th, 2013
updated on April 17, 2014


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Repetition as a sense making mechanism

Published on www.brainpickings.org:  Gertrude Stein reads from her early novel The Making of Americans (UK; public library) — a pinnacle of her signature use of repetition as a sensemaking mechanism.  Written between 1902 and 1911 while Stein was in her late twenties and early thirties.  Recorded in 1934-1935.

 

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What is a threshold?

a fence
a diving board
a door sill.

a tideline
a url
an entry (gate).

a place or point of entering. a beginning.
the point at which a stimulus is of sufficient intensity to begin to produce an effect.

a door sill
a portal

a limen.
liminal.

-tia kramer

 

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